How should artistry go beyond cut-and-paste process to develop a practical theory on plagiarism?

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Name: Instructor: Course: Date: Developing a Practical Theory on Plagiarism Literature has been in a plundered state for a much extended period. In the book “The Ecstasy of Influence: A Plagiarism” Jonathan Lethem discusses various artist, authors, writers and songwriters who have directly borrowed from other sources to enhance their works. This article will discuss the steps that the authors should follow beyond the cut and paste mechanism to facilitate quality and realistic content. Furthermore, the article will provide a sample of content from authors Steven Johnson’ “The Myth of Ant Queen," Ethan Watters’ “The Mega-Marketing of Depression in Japan," and Jonathan Lethem’s “The Ecstasy of Influence: A Plagiarism." Firstly, the author Jonathan Lethem perceives culture as a free perceiving gift. In his book “The Ecstasy of Influence,” the author describes borrowing as a major determinant that enhances creativity. Jonathan Lethem cited many works of his predecessor artist work. His essay contained more than 50 paraphrased article from predecessor artist; Jonathan Lethem gives credit to the authors using footnotes. Besides, the author created an open source project so that film-makers can use his work to enhance their creativity. Jonathan Lethem created licenses for the work to discourage copyright infringement. According to Jonathan Lethem, is there any basis for classifying artistic work as inspiration, even if the work is obtained from an online source? Many artists don’t start their artwork from scratch. The connectivity of power across the work is a fundamental element of inspiration to the artist. Many artists in the literature

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